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Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in дальше
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made. закрыть
The camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors дальше
The camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors slides down the chute. Alongside, empty boats are hauled back up to the top of the ride. закрыть
“This subject taken just after the recent first fall of snow, shows two enthusiastic horsemen indulging in a "brush" with their respective horses and cutters.” (Maguire & Baucus)
“This subject taken just after the recent first fall of snow, shows two enthusiastic horsemen indulging in a "brush" with their respective horses and cutters.” (Maguire & Baucus) закрыть
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above дальше
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above almost in a vertical plunge onto the deep, rocky ground. закрыть
“This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, дальше
“This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, who hands him a telegram, which he reads with apparent satisfaction. The characteristic walk and gestures of Mr. McKinley will be noted with interest by his friends.” (AMB Picture Catalogue) закрыть
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. дальше
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels. закрыть
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead дальше
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite. Faust refuses, whereupon Mephistopheles draws the sword across the throat of the lady and she suddenly disappears and Faust is seated in her place. закрыть
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some дальше
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. закрыть
“This shows the Fire Department leaving headquarters for an early morning fire. The scene is remarkable for its natural effect. The opening of the engine дальше
“This shows the Fire Department leaving headquarters for an early morning fire. The scene is remarkable for its natural effect. The opening of the engine house doors, the prancing of the horses, and even the startled expression upon the faces of the spectators are all clearly depicted.” (Edison Films, 1897) закрыть
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching дальше
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching in the distance, clearly outlined against the grey mountains. Smoke can be seen pouring in volumes from the stack of the locomotive, and as the train approaches closely, she sounds a whistle, warning some section men, who are working on the tracks in the foreground. As she rushes by the camera, the swing motion of the train gives a vivid idea of the lightning speed at which she is traveling. (Edison film catalog) закрыть
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